How to… select the correct ISO from Christopher Rowe on Vimeo.
Determining the correct ISO for a day exterior doesn’t sound like a controversial topic, but selecting the ideal setting is not quite as straightforward as you might think.
The Amira’s native ISO is 800, which means at this setting the camera’s 14-stop contrast range is evenly distributed above and below the midpoint. The camera accurately reproduces 7 stops above the midpoint before white starts to clip, and 7 stops below before the blacks are crushed.
When shooting bright exteriors, many people are tempted to select a lower ISO because this enables you to use a wider aperture. But by selecting a value lower than 800 you will be over exposing the sensor and that 14 stop contrast range will be distributed unevenly, with less latitude in the highlights. At 1600 ISO the opposite is true – the sensor is underexposed, increasing latitude in highlights.
This video demonstrates that although it may seem counter-intuitive, it is in fact better to shoot high-key subjects at 800 ISO or higher.
5 months after unboxing my Amira I have installed the first major software update and am thrilled by a number of new features now available. Not that the camera had been in any way lacking before this; minor bugs were repaired in the first few weeks after delivery. Some of the new features now available were still in development when the camera was first released, while others are improvements suggested by those who, like myself, gathered experience with the camera in the first few months after its introduction.
I was able to test these new features before the official release. Here are my Top 5 of functions that are relevant and useful in daily use. For a complete list please go to this post
It’s arrived! Please enjoy the moment when I held my dream camera in my hands for the first time!
Arri Amira – The Unboxing from Christopher Rowe on Vimeo.
Please allow me to introduce myself: My name is Christopher Rowe, I am a British DP resident in and working out of Berlin, Germany. I worked my way up through the ranks of news and current affairs while the Berlin Wall came down, shot music videos in the heyday of the techno scene, and completed my education with a two year post-graduate course tutored by Michael Ballhaus, ASC. Since graduation in 1998 I have split my time between fiction and non-fiction, shooting 2 feature films, episodic TV, TV-Movies, docudramas, and also documentaries and reportage ranging from the highly stylized to run-and-gun vérité. Continue reading